The Interested Bystander’s 2026 Theater Awards Round-up

 

Schmigadoon! (c) Matthew Murphy and Evan Zimmerman 

The 79th Tony Award Nominations 

Play 

Liberation by Bess Wohl 

Play (Revival) 

Arthur Miller's Death of a Salesman 

The Final 79th Tony Award Predictions

Death of a Salesman (c) Emilio Madrid

The 79th Tony Awards will be handed out this Sunday, June 7, with P!nk hosting.  These are my odds of who I think will win. 

Enjoy. 

GALECA Announces Dorian Theater Award Winners Including "Schmigadoon," "The Lost Boys" and "Prince Faggot"

 

The Lost Boys (c) Matthew Murphy and Evan Zimmerman

Announcing the winners of the Dorian Theater Awards, given out by GALECA, the LGBTQ entertainment writers and critics.

Theater Reviews: “||: Girls :||: Chance :||: Music :||” Is an Enjoyable Night of All Three, “Small” Is One Man’s Quest of Being a Horse Jockey and “Celebrity Autobiography” Is Now on Broadway, Dropping the Tea

||: Girls :||: Chance :||: Music :|| (c) Carol Rosegg

Theater: ||: Girls :||: Chance :||: Music :|| 
At Vineyard Theatre 

Pulitzer Prize-nominated playwright Eisa Davis’ latest play with the unique title of ||: Girls :||: Chance :||: Music :|| defies categorizing. It is definitely a play, but the four actresses that make up the cast all sing and/or play instruments for almost half the runtime. There is a narrative arc, but the production, as skillfully directed by Pam McKinnon, is more interested in moments rather than the whole. The play takes place at a summer music program in the San Francisco Bay Area in which we follow the ||: Girls :||:, who are all in high school focusing on their :||: Music :||. The most intense of them is singer Fax (Hillary Fisher). She loves the rules of classical music and is most lost when asked to improvise, or in the play’s lingo, allow :||: Chance :||: to take over. More adept at :||: Chance :||: is the school resident outsider and drummer, Margot (Naomi Latta), who is looking for meaning in her mostly unsupervised life, with music being her focus now. Pianist Rile (Yeena Sung) is the most typical teenager, sometimes acting like a mean girl, which may be her defense for wanting to find her tribe. Rounding out the cast is Clementine (Gianna DiGregorio Rivera), who plays a lot of instruments and doesn’t seem too bothered by the teenage angst around her. There are a lot of themes swirling around Davis’ play (lost and found parents, earth-shaking life changes, sexuality, eating disorders, suicidal thoughts), but they take a back seat to when the three elements of the title finally find its harmony in the play’s most satisfying scene. But this happens halfway through and nothing in its second half matches the synergy of that moment. All the actors feel natural and vulnerable, but how newcomer Latta exudes Margot’s open wound personality is astonishing and heartbreaking. Davis, whose next project is a musical with Lin-Manuel Miranda, throws a lot at us during the play’s runtime, giving the audience the choice of what is important to us in these character’s stories (with only a late play “father” subplot being the least earned and far-fetched). Still, this is a very special evening of story, song and humanity. 

The 79th Tony Award Predictions – May 2026

Ragtime (c) Matthew Murphy

The 79th Tony Awards will be handed out on Sunday, June 7. I will post my final predictions the Friday before the awards. But here are my thoughts of who are the front-runners of the major categories as of two weeks before the ceremony. 

Enjoy!